Fadia, 19, traces cracks in the walls of her rented apartment as she describes the death of her father. After returning home from his job as a construction laborer, shortly before the dawn prayer, he collapsed right away onto his bed, dusting the sheets with the debris that fell from his work clothes. Not long after, the shabiha (pro-regime militia) burst into their home and shot him, execution style, in the head. He had barely woken up. When Fadia’s little brother wailed in fear, the guns were turned on him. Fadia screamed, “Kill me instead!” Both were spared. She now lives with her aunt on the outskirts of Amman in a crowded one-bedroom apartment with fifteen extended family members. They survive by digging through trash containers and finding remnants of bread to dry and sell to herders. This earns them a couple of dollars a day.

Tomorrow There Will Be Apricots

Tomorrow There Will Be Apricots

Five years in the lives of Syrian women in Jordan (2012-2017)

An interactive documentary and photo essay, sneak peak, contact to view webdoc/installation


في المِشْمِش

"The Syrian crisis devastated a country I knew and loved."

The very stability Syria once knew was extracted at a heavy price. Dissent was not tolerated, neither speech nor association was free, and the notorious prisons of the Syrian regime were full of those who would object. Tomorrow There Will Be Apricots is born out of the current terrible moment, when even greater blackness has enveloped Syria.

As a photojournalist, I was often assigned to cover the spillover into Jordan of Syria’s disaster. But after each story was finished and filed, I still had endless material that was outside the scope of those assignments but needed to be shared and at the same time, needed a different kind of canvas to be more fully explored. After all, much of what defined these Syrians’ lives were the absences – of both people and places. But how do you photograph what isn’t there? To overcome such challenges, I worked collaboratively with the people I photographed to create these performed portraits.

This project is, therefore many things: study, investigation, documentary, reenactment, archive, rumination, and even séance, for those desperate to resurrect the dead or confront the past and its ghosts.

*All names have been changed to pseudonyms at the request of the interviewees’ for their protection."